I got a high five from Oprah!Īnd yet I never felt entirely welcome. And, later that evening, I helped Oprah and Pope Francis drown him. I also was the one to suggest that maybe “Q” from QAnon is that guy Quentin who was always taking pictures with his phone. I’m proud to say that incidences of confused Little League teams accidentally being given child prostitutes are way down.
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It was my idea that we stop using “cheese pizza” as code for “child prostitute” at the pizzerias that we own around the world as fronts for child prostitution.
Since then, I have been an active and involved member of the G.L.C.P.C.
A few weeks later, I was listening to “All Too Well (Taylor’s Version),” and there, hidden in the part about the refrigerator, was my invitation to the 2021 Feast of the Innocents-slash-orgy in the crypt under the Lincoln Memorial! After that, of course, I was able to understand the coded messages you were sending through C- SPAN, pop culture, and Wordle. 2: Riot, and are hard at work experimenting and navigating collaboration through various tech in the wake of 2020.So I was relieved to wake up one midnight, unable to move, to find a sulfurous imp (aglow on its forehead the Greek letter eta: “H,” for “Hillary”) crawling into my mouth. Uuskhy x SIFI were featured on the Arca Discord mixtape Mutants Vol. course correct for me, against me, with me, despite me all possible existence with time SIFI Though “Course Correct” comes across as somewhat cold and disconnected, it is, in fact, living and breathing. While the entire video is an impressive collection of imagery and grainy VHS-esque distortion, a definite highlight occurs toward the end where sound and the visual begin to decay together. Throughout the video, hints of what can only be assumed to be the oracle’s face are presented, shifted, and distorted in a matter of chaos and randomness fit for the composition and theme of entropy. Set to a mostly black backdrop, Goodman casts an array of flowing, wispy visuals that are at times amorphous and fading while concrete and detailed during others. In complement, Goodman’s visual representations are bleak, fleeting, and at times, haunting.
As for the vocals, Meland’s words shift between sounding human and synthetic, a mix of spoken and soaring wails, mimicking the waveforms of what a digital oracle’s voice box might produce. uuskhyĪccording to Meland, the song is presented by a digital oracle created in human image who considers the “universality and natural entropy of everything.” Structurally, the song is comprised of stuttering and modulating synthesizers atop a background of synthetic ambience and sporadic bursts of semi-abrasive percussion and production hits. Given their respective roles: Goodman as poet and visual artist and Meland as producer, their most recent track, “Course Correct” is just as much a sonic art piece as it is an aesthetic one. Uuskhy x SIFI is a duo composed of glitch artist, and poet Sara Goodman and musician/producer Joey Meland whose approach to composition is both improvisational and conversational, which helps to define the pair’s collaborative ethos. “Here you will find two beings improvising with controllers, interfaces, and antique video hardware - existing equally as human and avatar - listening, reacting, and generating sparks of ///Digital Warmth///” we are creation of the natural world we cannot create anything that is unnatural that does not exist
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How To Compress KEYS (Logic Pro X) - MIX and MASTER IT Yourself! uuskhy x SIFIĪtwood Magazine is proud to present uuskhy x SIFI’s “ Course Correct,” an A/V experience conjuring projections of erratic decline and cosmic decomposition.
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